“Les Trois Mousquetaires” (“C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong>“) l\u00e0 m\u1ed9t t\u00e1c ph\u1ea9m v\u0103n h\u1ecdc n\u1ed5i ti\u1ebfng v\u00e0 kinh \u0111i\u1ec3n c\u1ee7a t\u00e1c gi\u1ea3 ng\u01b0\u1eddi Ph\u00e1p Alexandre Dumas. Cu\u1ed1n s\u00e1ch \u0111\u01b0\u1ee3c xu\u1ea5t b\u1ea3n l\u1ea7n \u0111\u1ea7u v\u00e0o n\u0103m 1844 v\u00e0 nhanh ch\u00f3ng tr\u1edf th\u00e0nh m\u1ed9t trong nh\u1eefng t\u00e1c ph\u1ea9m v\u0129 \u0111\u1ea1i nh\u1ea5t trong v\u0103n h\u1ecdc th\u1ebf gi\u1edbi.<\/p>\n\n\n\n N\u1ed9i dung c\u1ee7a cu\u1ed1n s\u00e1ch xoay quanh cu\u1ed9c phi\u00eau l\u01b0u c\u1ee7a b\u1ed1n nh\u00e2n v\u1eadt ch\u00ednh: Athos, Porthos, Aramis v\u00e0 d’Artagnan. H\u1ecd l\u00e0 nh\u1eefng l\u00ednh ng\u1ef1 l\u00e2m t\u00e0i ba c\u1ee7a vua Louis XIII c\u1ee7a Ph\u00e1p v\u00e0 ph\u1ea3i \u0111\u1ed1i \u0111\u1ea7u v\u1edbi \u00e2m m\u01b0u v\u00e0 th\u1ee7 \u0111o\u1ea1n c\u1ee7a Cardinal Richelieu v\u00e0 c\u00f4 em g\u00e1i n\u00f3ng t\u00ednh c\u1ee7a \u00f4ng ta, Milady de Winter.<\/p>\n\n\n\n Cu\u1ed1n s\u00e1ch k\u1ebft h\u1ee3p m\u1ed9t lo\u1ea1t c\u00e1c y\u1ebfu t\u1ed1 nh\u01b0 t\u00ecnh b\u1ea1n, t\u00ecnh y\u00eau, h\u1eadn th\u00f9, \u00e2m m\u01b0u v\u00e0 s\u1ef1 ph\u1ea3n b\u1ed9i, t\u1ea1o n\u00ean m\u1ed9t c\u00e2u chuy\u1ec7n h\u1ea5p d\u1eabn, ly k\u1ef3 v\u00e0 l\u00f4i cu\u1ed1n. Ngo\u00e0i ra, t\u00e1c ph\u1ea9m c\u0169ng \u0111\u1ec1 c\u1eadp \u0111\u1ebfn c\u00e1c v\u1ea5n \u0111\u1ec1 v\u1ec1 danh d\u1ef1, l\u00f2ng can \u0111\u1ea3m v\u00e0 trung th\u00e0nh.<\/p>\n\n\n\n V\u1edbi nh\u1eefng t\u00ecnh ti\u1ebft m\u1ea1o hi\u1ec3m, nh\u1eefng nh\u00e2n v\u1eadt s\u1eafc n\u00e9t v\u00e0 ngh\u1ec7 thu\u1eadt mi\u00eau t\u1ea3 tinh t\u1ebf, “C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong>” \u0111\u00e3 tr\u1edf th\u00e0nh m\u1ed9t trong nh\u1eefng t\u00e1c ph\u1ea9m v\u0103n h\u1ecdc l\u1edbn c\u1ee7a Alexandre Dumas v\u00e0 v\u1eabn \u0111\u01b0\u1ee3c \u0111\u00e1nh gi\u00e1 cao cho \u0111\u1ebfn ng\u00e0y nay. Cu\u1ed1n s\u00e1ch n\u00e0y kh\u00f4ng ch\u1ec9 mang l\u1ea1i gi\u00e1 tr\u1ecb v\u1ec1 gi\u1ea3i tr\u00ed m\u00e0 c\u00f2n ch\u1ee9a \u0111\u1ef1ng nh\u1eefng th\u00f4ng \u0111i\u1ec7p s\u00e2u s\u1eafc v\u1ec1 cu\u1ed9c s\u1ed1ng v\u00e0 con ng\u01b0\u1eddi.<\/p>\n\n\n\n “C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong>” c\u1ee7a Alexandre Dumas l\u00e0 m\u1ed9t t\u00e1c ph\u1ea9m v\u0103n h\u1ecdc kinh \u0111i\u1ec3n v\u1edbi c\u00e2u chuy\u1ec7n xoay quanh b\u1ed1n nh\u00e2n v\u1eadt ch\u00ednh: Athos, Porthos, Aramis v\u00e0 d’Artagnan. Cu\u1ed1n s\u00e1ch b\u1eaft \u0111\u1ea7u khi d’Artagnan, m\u1ed9t thanh ni\u00ean tr\u1ebb \u0111\u1ea7y can \u0111\u1ea3m v\u00e0 ho\u00e0i b\u00e3o, \u0111\u1ebfn t\u1eeb v\u00f9ng Gascogne, \u0111\u1ebfn Paris \u0111\u1ec3 theo \u0111u\u1ed5i \u01b0\u1edbc m\u01a1 tr\u1edf th\u00e0nh m\u1ed9t l\u00ednh ng\u1ef1 l\u00e2m. D’Artagnan nhanh ch\u00f3ng k\u1ebft b\u1ea1n v\u1edbi ba l\u00ednh ng\u1ef1 l\u00e2m t\u00e0i ba v\u00e0 tinh nhu\u1ec7: Athos, Porthos v\u00e0 Aramis.<\/p>\n\n\n\n B\u1ed1n ng\u01b0\u1eddi b\u1ea1n c\u00f9ng nhau tr\u1ea3i qua h\u00e0ng lo\u1ea1t cu\u1ed9c phi\u00eau l\u01b0u v\u00e0 nguy hi\u1ec3m, trong \u0111\u00f3 h\u1ecd \u0111\u1ed1i m\u1eb7t v\u1edbi \u00e2m m\u01b0u v\u00e0 th\u1ee7 \u0111o\u1ea1n c\u1ee7a Cardinal Richelieu v\u00e0 Milady de Winter – c\u00f4 ph\u1ee5 n\u1eef tinh ranh v\u00e0 \u0111\u1ea7y m\u01b0u m\u00f4. S\u1ef1 h\u1ed7n lo\u1ea1n, trung th\u00e0nh, t\u00ecnh b\u1ea1n, t\u00ecnh y\u00eau v\u00e0 s\u1ef1 ph\u1ea3n b\u1ed9i xen l\u1eabn nhau t\u1ea1o n\u00ean m\u1ed9t b\u1ee9c tranh \u0111a chi\u1ec1u v\u1ec1 cu\u1ed9c s\u1ed1ng v\u00e0 t\u01b0 duy con ng\u01b0\u1eddi.<\/p>\n\n\n\n Cu\u1ed1n s\u00e1ch v\u1eeba mang t\u00ednh gi\u1ea3i tr\u00ed cao v\u1edbi nh\u1eefng tr\u1eadn \u0111\u1ea5u giao \u0111\u1ea5u \u0111\u1ea7y k\u1ecbch t\u00ednh, v\u1eeba ch\u1ee9a \u0111\u1ef1ng nh\u1eefng th\u00f4ng \u0111i\u1ec7p s\u00e2u s\u1eafc v\u1ec1 t\u00ecnh b\u1ea1n, danh d\u1ef1 v\u00e0 l\u00f2ng can \u0111\u1ea3m. V\u1edbi ng\u00f4n ng\u1eef h\u1ea5p d\u1eabn, tinh t\u1ebf v\u00e0 nh\u1eefng nh\u00e2n v\u1eadt \u0111a chi\u1ec1u, “C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong>” \u0111\u00e3 t\u1eeb l\u00e2u ghi d\u1ea5u trong l\u00f2ng \u0111\u1ed9c gi\u1ea3 v\u00e0 tr\u1edf th\u00e0nh m\u1ed9t t\u00e1c ph\u1ea9m b\u1ea5t h\u1ee7 c\u1ee7a v\u0103n h\u1ecdc th\u1ebf gi\u1edbi.<\/p>\n\n\n\n Alexandre Dumas (1802-1870) l\u00e0 m\u1ed9t trong nh\u1eefng t\u00e1c gi\u1ea3 v\u0129 \u0111\u1ea1i nh\u1ea5t trong l\u1ecbch s\u1eed v\u0103n h\u1ecdc Ph\u00e1p. \u00d4ng \u0111\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn v\u1edbi vi\u1ec7c s\u00e1ng t\u00e1c nhi\u1ec1u t\u00e1c ph\u1ea9m v\u0103n h\u1ecdc n\u1ed5i ti\u1ebfng, trong \u0111\u00f3 c\u00f3 “C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong>” (Les Trois Mousquetaires). Dumas l\u00e0 m\u1ed9t c\u00e2y b\u00fat t\u00e0i ba, s\u00e1ng t\u1ea1o v\u00e0 c\u00f3 t\u1ea7m \u1ea3nh h\u01b0\u1edfng l\u1edbn trong v\u0103n h\u1ecdc th\u1ebf gi\u1edbi.<\/p>\n\n\n\n Ngo\u00e0i “C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong>,” Alexandre Dumas c\u00f2n vi\u1ebft nhi\u1ec1u t\u00e1c ph\u1ea9m n\u1ed5i ti\u1ebfng kh\u00e1c nh\u01b0 “Monte Cristo Count,” “The Man in the Iron Mask,” v\u00e0 “The Black Tulip.” \u00d4ng \u0111\u00e3 t\u1ea1o ra nh\u1eefng c\u00e2u chuy\u1ec7n phong ph\u00fa, h\u1ea5p d\u1eabn v\u1edbi nh\u1eefng t\u00ecnh ti\u1ebft ly k\u1ef3, nh\u1eefng nh\u00e2n v\u1eadt s\u1eafc n\u00e9t v\u00e0 nh\u1eefng th\u00f4ng \u0111i\u1ec7p s\u00e2u s\u1eafc v\u1ec1 con ng\u01b0\u1eddi v\u00e0 x\u00e3 h\u1ed9i.<\/p>\n\n\n\n V\u1edbi t\u00e0i n\u0103ng s\u00e1ng t\u00e1c v\u00e0 kh\u1ea3 n\u0103ng mi\u00eau t\u1ea3 tinh t\u1ebf, Alexandre Dumas \u0111\u00e3 \u0111\u1ec3 l\u1ea1i d\u1ea5u \u1ea5n s\u00e2u \u0111\u1eadm trong v\u0103n h\u1ecdc th\u1ebf gi\u1edbi v\u00e0 v\u1eabn \u0111\u01b0\u1ee3c \u0111\u00e1nh gi\u00e1 cao cho t\u00e1c ph\u1ea9m c\u1ee7a m\u00ecnh cho \u0111\u1ebfn ng\u00e0y nay.<\/p>\n\n\n\n Nghe s\u00e1ch n\u00f3i C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/strong> t\u1ea1i \u0111\u00e2y<\/p>\n\n\n\n
T\u00f3m t\u1eaft s\u00e1ch C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/h2>\n\n\n\n
T\u00e1c gi\u1ea3 Alexandre Dumas<\/h2>\n\n\n\n
Audio S\u00e1ch C\u00e1i Ch\u1ebft C\u1ee7a 3 Ch\u00e0ng L\u00ednh Ng\u1ef1 L\u00e2m<\/h2>\n\n\n\n