{"id":210,"count":1,"description":"<h2>Gi\u1edbi thi\u1ec7u t\u00e1c gi\u1ea3 Oe Kenzaburo<\/h2>\r\nOe Kenzaburo l\u00e0 m\u1ed9t nh\u00e0 v\u0103n n\u1ed5i ti\u1ebfng ng\u01b0\u1eddi Nh\u1eadt B\u1ea3n, sinh v\u00e0o n\u0103m 1935 t\u1ea1i th\u00e0nh ph\u1ed1 Uchiko, t\u1ec9nh Ehime. \u00d4ng \u0111\u01b0\u1ee3c trao gi\u1ea3i Nobel V\u0103n h\u1ecdc v\u00e0o n\u0103m 1994 v\u00ec phong c\u00e1ch vi\u1ebft hi\u1ec7n \u0111\u1ea1i v\u1edbi phong c\u00e1ch \u0111\u1eb7c bi\u1ec7t, t\u1ea1o ra s\u1ef1 h\u00f2a quy\u1ec7n gi\u1eefa truy\u1ec7n v\u00e0 tr\u1eadt t\u1ef1 x\u00e3 h\u1ed9i.\r\n<h3>S\u1ef1 nghi\u1ec7p c\u1ee7a Oe Kenzaburo<\/h3>\r\nOe Kenzaburo l\u00e0 m\u1ed9t trong nh\u1eefng nh\u00e0 v\u0103n n\u1ed5i ti\u1ebfng v\u00e0 \u1ea3nh h\u01b0\u1edfng nh\u1ea5t c\u1ee7a v\u0103n h\u1ecdc Nh\u1eadt B\u1ea3n. D\u01b0\u1edbi \u0111\u00e2y l\u00e0 m\u1ed9t s\u1ed1 th\u00f4ng tin v\u1ec1 s\u1ef1 nghi\u1ec7p c\u1ee7a \u00f4ng:\r\n\r\n1. Xu\u1ea5t ph\u00e1t \u0111i\u1ec3m: Oe Kenzaburo sinh ng\u00e0y 31 th\u00e1ng 1 n\u0103m 1935 \u1edf l\u00e0ng Ose \u1edf t\u1ec9nh Ehime, Nh\u1eadt B\u1ea3n.\r\n\r\n2. H\u1ecdc v\u1ea5n: \u00d4ng t\u1ed1t nghi\u1ec7p \u0110\u1ea1i h\u1ecdc Waseda \u1edf Tokyo v\u1edbi b\u1eb1ng v\u0103n ch\u01b0\u01a1ng n\u0103m 1959.\r\n\r\n3. S\u1ef1 nghi\u1ec7p v\u0103n h\u1ecdc: Oe Kenzaburo \u0111\u00e3 xu\u1ea5t b\u1ea3n nhi\u1ec1u t\u00e1c ph\u1ea9m v\u0103n h\u1ecdc xu\u1ea5t s\u1eafc v\u00e0 \u0111\u01b0\u1ee3c \u0111\u00e1nh gi\u00e1 cao. \u00d4ng \u0111\u00e3 nh\u1eadn gi\u1ea3i th\u01b0\u1edfng v\u0103n h\u1ecdc Nobel v\u00e0o n\u0103m 1994. M\u1ed9t s\u1ed1 t\u00e1c ph\u1ea9m n\u1ed5i ti\u1ebfng c\u1ee7a \u00f4ng bao g\u1ed3m \"A Personal Matter\" (1964), \"The Silent Cry\" (1967), v\u00e0 \"A Quiet Life\" (1990).\r\n\r\n4. Ch\u1ee7 \u0111\u1ec1: C\u00e1c t\u00e1c ph\u1ea9m c\u1ee7a Oe Kenzaburo th\u01b0\u1eddng kh\u00e1m ph\u00e1 nh\u1eefng v\u1ea5n \u0111\u1ec1 x\u00e3 h\u1ed9i, ch\u00ednh tr\u1ecb, v\u00e0 t\u00e2m l\u00fd ph\u1ee9c t\u1ea1p. \u00d4ng c\u0169ng quan t\u00e2m \u0111\u1ebfn v\u1ea5n \u0111\u1ec1 chi\u1ebfn tranh, h\u1ea1t nh\u00e2n, v\u00e0 t\u1ea7m quan tr\u1ecdng c\u1ee7a vi\u1ec7c ti\u1ebfp nh\u1eadn l\u1ecbch s\u1eed c\u1ee7a Nh\u1eadt B\u1ea3n.\r\n\r\n5. T\u00e1c \u0111\u1ed9ng: S\u1ef1 \u1ea3nh h\u01b0\u1edfng c\u1ee7a Oe Kenzaburo trong v\u0103n h\u1ecdc kh\u00f4ng ch\u1ec9 gi\u1edbi h\u1ea1n \u1edf Nh\u1eadt B\u1ea3n m\u00e0 c\u00f2n lan r\u1ed9ng ra to\u00e0n c\u1ea7u. \u00d4ng \u0111\u01b0\u1ee3c coi l\u00e0 m\u1ed9t trong nh\u1eefng t\u00e1c gi\u1ea3 quan tr\u1ecdng nh\u1ea5t c\u1ee7a th\u1ebf k\u1ef7 20.\r\n\r\nV\u1edbi nh\u1eefng th\u00e0nh t\u1ef1u v\u0103n h\u1ecdc v\u00e0 \u1ea3nh h\u01b0\u1edfng s\u00e2u r\u1ed9ng nh\u01b0 v\u1eady, Oe Kenzaburo l\u00e0 m\u1ed9t t\u01b0\u1ee3ng \u0111\u00e0i trong v\u0103n h\u1ecdc th\u1ebf gi\u1edbi.\r\n<h3>C\u00e1c gi\u1ea3i th\u01b0\u1edfng c\u1ee7a Oe Kenzaburo<\/h3>\r\nOe Kenzaburo l\u00e0 m\u1ed9t nh\u00e0 v\u0103n n\u1ed5i ti\u1ebfng ng\u01b0\u1eddi Nh\u1eadt \u0111\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn v\u1edbi nhi\u1ec1u gi\u1ea3i th\u01b0\u1edfng v\u0103n h\u1ecdc quan tr\u1ecdng. D\u01b0\u1edbi \u0111\u00e2y l\u00e0 danh s\u00e1ch c\u00e1c gi\u1ea3i th\u01b0\u1edfng n\u1ed5i b\u1eadt m\u00e0 \u00f4ng \u0111\u00e3 \u0111\u1ea1t \u0111\u01b0\u1ee3c:\r\n<ul>\r\n \t<li>1. Gi\u1ea3i th\u01b0\u1edfng Nobel V\u0103n h\u1ecdc (1994)<\/li>\r\n \t<li>2. Gi\u1ea3i th\u01b0\u1edfng Akutagawa (1957) - m\u1ed9t gi\u1ea3i th\u01b0\u1edfng v\u0103n h\u1ecdc danh gi\u00e1 t\u1ea1i Nh\u1eadt B\u1ea3n<\/li>\r\n \t<li>3. Gi\u1ea3i th\u01b0\u1edfng Fukuoka (1989) - m\u1ed9t gi\u1ea3i th\u01b0\u1edfng v\u0103n h\u1ecdc qu\u1ed1c t\u1ebf \u0111\u01b0\u1ee3c trao t\u1ea1i Nh\u1eadt B\u1ea3n<\/li>\r\n \t<li>4. Gi\u1ea3i th\u01b0\u1edfng Goethe (2005) - m\u1ed9t gi\u1ea3i th\u01b0\u1edfng v\u0103n h\u1ecdc l\u1edbn c\u1ee7a \u0110\u1ee9c<\/li>\r\n<\/ul>\r\n<h2 class=\"seo_list_title\">Nh\u1eefng t\u00e1c ph\u1ea9m n\u1ed5i b\u1eadt nh\u1ea5t c\u1ee7a t\u00e1c gi\u1ea3 Oe Kenzaburo<\/h2>\r\n<ul>\r\n \t<li>\r\n<ul>\r\n \t<li>1. ''Nu\u00f4i k\u1ebb th\u00f9'' (Shiiku, 1957)<\/li>\r\n \t<li>2. ''C\u00f4ng vi\u1ec7c k\u00ec kh\u00f4i'' (Kimyo na Shigoto, 1957)<\/li>\r\n \t<li>3. ''Ni\u1ec1m ki\u00eau h\u00e3nh c\u1ee7a ng\u01b0\u1eddi ch\u1ebft'' (Shisha no ogori, 1957)<\/li>\r\n \t<li>4. ''H\u00e1i n\u1ee5, gi\u1ebft tr\u1ebb'' (Memushiri kouchi, 1958)<\/li>\r\n \t<li>5. ''\u0110\u00e0n c\u1eebu nh\u00e2n gian''<\/li>\r\n<\/ul>\r\n<\/li>\r\n<\/ul>\r\n<h2 class=\"seo_list_title\">Nh\u1eefng c\u00e2u n\u00f3i n\u1ed5i b\u1eadt nh\u1ea5t c\u1ee7a t\u00e1c gi\u1ea3 Oe Kenzaburo<\/h2>\r\n<ul>\r\n \t<li>\r\n<h3>1. \"If Africa - in fact, if any land - could succeed in sharing knowledge on equal terms, learning would really flourish and not be forced. That might not be as distant a dream as it seems.\"<\/h3>\r\n<\/li>\r\n \t<li>\r\n<h3>2. \"Whenever I write a story, I want to touch on some kind of contemporary problem, even if it's very, very slight, and I want to explore some aspect of human suffering.\"<\/h3>\r\n<\/li>\r\n \t<li>\r\n<h3>3. \"The overwhelming sense of loss when one or more of their number turns away makes all sincere-love turned hopeless-heart searchers, find-it-where-you-will poems speak, at least partially, to a common level of experience.\"<\/h3>\r\n<\/li>\r\n \t<li>\r\n<h3>4. \"Even if we act to erase material poverty, there is another greater task, it is to confront the poverty of satisfaction - purpose and dignity - that afflicts us all.\"<\/h3>\r\n<\/li>\r\n \t<li>\r\n<h3>5. \"A hundred geographers say a mountain really exists, and two hundred say that it does not. No one ever tells me how their geographical surveys made them feel.\"<\/h3>\r\n<\/li>\r\n<\/ul>\r\n<h2>Nh\u1eefng t\u00e1c ph\u1ea9m c\u1ee7a Oe Kenzaburo tr\u00ean Cunghocvui<\/h2>","link":"https:\/\/cunghocvui.com\/book\/tac-gia\/oe-kenzaburo\/","name":"Oe Kenzaburo","slug":"oe-kenzaburo","taxonomy":"category","parent":81,"meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>T\u00e1c gi\u1ea3 - Oe Kenzaburo - \u0110\u1ecdc online &amp; Reviews<\/title>\n<meta name=\"description\" content=\"Oe Kenzaburo l\u00e0 m\u1ed9t nh\u00e0 v\u0103n n\u1ed5i ti\u1ebfng ng\u01b0\u1eddi Nh\u1eadt B\u1ea3n, sinh v\u00e0o n\u0103m 1935\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cunghocvui.com\/book\/tac-gia\/oe-kenzaburo\/\" \/>\n<meta property=\"og:locale\" content=\"vi_VN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"T\u00e1c gi\u1ea3 - Oe Kenzaburo - \u0110\u1ecdc online &amp; 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